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Students in my intermediate-level course on the Art and Architecture of Ancient Egypt have been giving short, in-class presentations on examples of “junk archaeology,” “bad Egyptology,” and “pseudo-science.” At first some of them seemed skeptical about their abilities to locate this kind of material, but I assured them it was lurking in the not-too-dark corners of the Internet.

The assignment has three goals: First, to get the students comfortable speaking in front of the class before they do a more formal presentation at the end of the semester. Second, to discuss–generally speaking–the nature of the Internet as a “democratic” medium for the dissemination of scholarship. And third, to question why ancient Egypt seems to draw out the wildest and most unfounded theories. As a specialist in Roman archaeology (and to a much lesser extent, Greek), I note that there is far, far less “pseudo-science” around classical cultures.

Perhaps it is what Ian Shaw notes about ancient Egypt that makes it susceptible to this type of intellectual reaction: “..the attraction of ancient Egyptian culture is its combination of exotica and familiarity…” (Ancient Egypt: A Very Short Introduction 2004, 9).

For what they are worth, here are some of the sites and articles my students presented as examples of “bad Egyptology”:

Egyptian pyramids were power plants, generating electricity

Michael Jackson and the Myth of Osiris

Pharaoh as wizard in Ancient Egypt

Aliens in Ancient Egypt

Mars Traded with Ancient Egypt (autoplay video!)

Blood from the Mummy’s Tomb (movie from 1971)

Egyptian Colony in the Grand Canyon

Lost Technologies of Ancient Egypt

New Pyramids found with Google Earth

Mystery of the Sphinx (assigns date to 10,000 BCE)

Star Wars Spacecraft in Ancient Egypt

The Saqqara Bird

I think this assignment was a tremendous success, if only because I became aware of this photo:

aliens in egypt

As a resident of Memphis, I have visited Graceland three times–two of those times were with esteemed colleagues in ancient art and archaeology (Rabun Taylor and Bettina Bergmann). While teaching a seminar last fall on Roman domus and villas around the Bay of Naples, it dawned on me that Graceland is our best extant example of what a Roman luxury villa was meant to be.

I mean, it has everything:

  • Locations for both otium (swimming pool, billiard room) and negotium (office, recording studio)
  • It is located in a semi-rural area, outside a city (at least when first constructed)
  • The house has now become a shrine to the memory of the residence’s most prominent owner
  • That prominent owner is buried there in an eye-catching monument
  • There are images of the owner’s ancestors (and their funerary monuments as well)
  • In the decoration there are allusions to exotic locations (the “Jungle Room”) and more traditional, indigenous elements
  • Animals in the decoration: peacocks (living room), monkey (media room)
  • There are “water features” for an allusion to the taming of nature (indoor waterfall in the Jungle Room)
  • The residence is situated on a large parcel of land

Perhaps unlike any Roman residence, there is at Graceland a very clear demarcation between public and private; visitors to the mansion are not allowed upstairs into the private bedrooms. Some rooms have a more consistent iconographical theme than what we see in ancient residences, rather than an eclectic blending of styles and subject matter.

I’ve just put to bed the latest research project: an essay on Gender and Sexuality for the Oxford Handbook of Roman Sculpture, with the fabulous Eve D’Ambra.

You can see our bibliography here in a Google Doc.

A word cloud of our essay:

Capture

 

I like to think of it as an unofficial, yet hopefully fitting, tribute to Tally Kampen.

This is not, of course, an exhaustive list of Web resources for the study of Egypt, but a list which I hope will prove helpful to students in my ART210 class (Art & Architecture of Ancient Egypt) at Rhodes College. Submissions welcome in comments!

Of local interest to residents of southwest Tennessee: Memphis to Memphis

General art & archaeology; starting places

Ancient Egypt Timeline

UCLA Encyclopedia of Egyptology

Kings and Queens of Egypt

The New Kingdom (with bibliography)

The Third Intermediate Period (with bibliography)

Roman Egypt

Ancient Egypt on Smarthistory

Egypt on NOVA

Egyptology Resources

Digital Egypt for Universities

The Pyramids of Egypt

Museum collections

University of Memphis Institute of Egyptian Art and Archaeology

The Brooklyn Museum

The Museum of Fine Arts, Boston: Art of the Ancient World, includes Egypt & Nubia

Egyptian Museum, Berlin

The British Museum

Bibliotheca Alexandrina Antiquities Museum

The Global Egyptian Museum

British Museum Book of the Dead Exhibition

Official organizations

Supreme Council of Antiquities

Egypt Exploration Society

International Association of Egyptologists

The Griffith Institute, University of Oxford

The American Research Center in Egypt

Digital reconstructions, virtual tours

Digital Karnak

Virtual reconstruction of Seti I’s tomb

Osiris Net (for tombs)

Excavations and research projects

Giza Archives Project

Tutankhamun: Anatomy of an Excavation, Database of Carter’s excavations

Theban Mapping Project

The Amarna Project

The Giza Project (in German)

Oxford Expedition to Egypt: Tomb-Scene Database

The Ancient Egypt Film Site

Personal Blogs, Twitter accounts & Facebook Pages

Petrie Museum

Friends of the Petrie Museum

Society for the Study of Egyptian Antiquities, Canada

Talking Pyramids

Margaret Maitland: Egyptologist & museum curator in Scotland

Chris Naunton: Egyptologist & Director of the Egypt Exploration Society

Zahi Hawass: Handle with care!

Egyptian Texts

Valley of the Kings News

Collecting Egypt

Ancient Egypt on Facebook

Egyptological

Individual articles & blog posts of note

Who built the pyramids?

The woman who would be king: Hatshepsut

Review of History Channel show “Engineering an Empire: Egypt”

Repatriating the Bust of Nefertiti

This is not, of course, an exhaustive list of Web resources for the study of Pompeii, but a list which I hope will prove helpful to students in my ART253 class (Art & Life at Pompeii) at Rhodes College. Submissions welcome in comments!

General/Starting points

Pompeiana.org

Pompeii in Pictures: An amateur photographic guide to the city

A multi-lingual bibliography for Pompeii (up to 2004)

 

Official organizations

Archaeological Superintendency for Naples and Pompeii

Naples Museum (Museo Archeologico Nazionale di Napoli)

 

Blogs

Blogging Pompeii: Mostly in English, includes very up-to-date news on research projects, publications, museum exhibitions,and news items on the whole Bay of Naples area.

Roman News & Archaeology: Much more than Pompeii. NB: these are reposts of other, original content so be sure to track down the source if citing a post on this blog.

 

Research projects and excavations, museums

Porta Stabia Project: An excavation and research project from the University of Cincinnati

Pompeii Bibliography and Mapping Project

Herculaneum Conservation Project from the British School at Rome

The Oplontis Project

Vesuvius Volcano 79 Eruption

Friends of Herculaneum Society

Restoring Ancient Stabiae Foundation

Pompeii Food and Drink Project

18th-19th-century images of Pompeii

The Last Days of Pompeii: exhibition at the Getty Museum, LA

Video animation of Vesuvius eruption from the A Day in Pompeii exhibition currently touring the US.

 

Companion sites for books

The World of Pompeii

Mau & Kelsey, Pompeii: Its Life and Art (1907) e-book

Pompeian Households: Online companion for Penelope Allison’s book of the same title

 

Roman art topics

Roman Housing

Roman Painting

Theater & Amphitheater in the Roman World

Luxury arts of Rome

The Augustan Villa at Boscotrecase

Frescoes from the Villa of P. Fannius Synistor at Boscoreale

Polychromy of Roman Marble Sculpture

Roman cameo glass

Pompeii in Modern and Contemporary Art

 

Other resources on the Roman world, city of Rome, etc.

Timeline of rulers of the Roman Empire

Rome Reborn: A digital model of ancient Rome

Digital Roman Forum

Pompeii in Pop Culture: Blog post from Pop Classics

Mark Twain on Pompeii in The Innocents Abroad (1869)

Fasti Online: Database of archaeological excavations

 

Twitter accounts & Facebook pages

Blogging Pompeii: twitter and FB page

Pompeii, art, history, and archaeology (in Italian, but great photos)

Ancient Stabiae

RogueClassicist: Classics & ancient world news

tronchin: Prof. Tronchin’s feed; more than just Pompeii

Yep, so an NPR program has hit me again with another example of economic capital, cultural capital, and social capital all collaborating to assist in self-fashioning. This time it was a Fresh Air interview with LCD Soundsystem’s James Murphy, carried out by Terry Gross.

[NB: Gross' speech patterns often drive me bananas, but Fresh Air keeps me good enough company on the bus ride to work.]

LCD Soundsystem’s song “Losing My Edge” is all about the anxiety one feels about getting older and being surpassed by the new generation coming up. Specifically, the lyrics deal with jealousy over a music collection.

Yeah, I’m losing my edge.
I’m losing my edge.
The kids are coming up from behind.
I’m losing my edge.
I’m losing my edge to the kids from France and from London.
But I was there.

I heard you have a compilation of every good song ever done by anybody. Every great song by the Beach Boys. All the underground hits. All the Modern Lovers tracks. I heard you have a vinyl of every Niagra record on German import. I heard that you have a white label of every seminal Detroit techno hit – 1985, ’86, ’87. I heard that you have a CD compilation of every good ’60s cut and another box set from the ’70s.

This seems to have particular resonance with some of the anxiety Roman aristocrats felt about the nouveaux riches buying luxurious homes and filling them with the typical “collectibles” of the day–silverware, Greek or Greek-like sculpture, costly purple-dyed cloth, etc. There was a resentment that economic capital could be used to acquire social capital and the lower classes could share–if not usurp—the habitus of the intellectual elite. These aspirational aspects of consumption and symbolic possessions are the background for some of the critiques of luxury and collecting found in Roman satire. Martial’s disparagement of Eros (Ep. X.80), Mamurra (IX.59), and Charinus (IV.39) emerges from not only an awareness of the convertibility of symbolic and cultural capital, but also a veiled anxiety over self-completion through consumption.

In talking about writing “Losing My Edge,” Murphy says about naming obscure bands at the end of the song:

This is what you do when you know things….Knowing things, knowledge, your attachment to them, or your self-association with other bands or with books or whatever. It’s often this weird amulet that protects you. You’re like ‘I am serious. Look at my library or listen to this. I’m going to list all the books I’ve read and now you know I’m a serious person.’

To this, Terry Gross responds: “I think a lot of people have experienced that. What you read, what you listen to as who you are.”

In this instance, the books or albums are strong indicators of Murphy’s erudition, but talking about the books or music is what really fulfills his identity. There is a knowledge that goes along with the possessions which completes the picture of the real hipster with encyclopedic musical taste and awareness. The habitus of this particular type includes the record collection as well as the esoteric knowledge of, say, the genealogy of CBGB stars.

So I continue to imagine the relationship among identity, status, the house and its contents in the Roman world to include the education–formal or informal–to discuss the display of works of art in the home. The elite habitus, as far as the house was concerned, was comprised of both the material, economic capital and the cultural capital required to discuss it with one’s peers.

And just to bring it back to the house, here’s LCD Soundsystem’s song “Home.”

Prospectus conspectus

Now that my research year is coming to a close and I am preparing to move on to my new digs, I am writing up my book prospectus and about to send it off  with a sample chapter to the publisher. So for those of you who aren’t interested in reading a 300-page book or even a 10-page prospectus, here is a word cloud from the proposal, giving you the pithiest and most visually appealing overview of my research.

Word cloud by Wordle.

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